Joywave, hailing from Rochester, New York, can't help themselves. You never know what they're going to do on stage — a detour into absurdist banter, a mid-song pivot, a punchline delivered with the same commitment as the chorus. Attend their show unprepared and you'll miss half of everything. Their performance at the Newport Music Hall on September 13, as part of the Permanent Pleasure tour, was as much a comedy show as it was a concert, the band's trademark humor woven so naturally into the evening that the two were inseparable.

Newport was the right room for it. The historic Columbus venue, with its low ceiling and tight floor, collapses the distance between band and crowd in a way that bigger stages can't manufacture. Joywave fed off that proximity. Daniel Armbruster worked the stage like a man who genuinely couldn't contain himself — his voice, a powerful mix of vulnerability and grit, soaring over the layered instrumentation one moment and cracking a dry aside the next. The tonal whiplash was the point. It always is with this band.

The setlist rewarded everyone in the room. Casual fans discovered, song by song, just how deep their catalog runs — the creeping realization that they knew more words than they thought. Serious fans got something to talk about for months. The night marked the live debut of "Traveling at the Speed of Light," a moment the room recognized immediately, the kind of first-time performance that carries a specific energy: tighter than it will ever be again, and rawer for it. And then there was "Double Destruction" — the fan-coined anthem that functions less like a song and more like a collective agreement, the crowd delivering it back to the band at full volume.

The new material from Brain Damage held its ground alongside the catalog. That's the test for any record on tour, and Joywave passed it — the new songs didn't ask the audience to be patient. They asked them to move, and they did.

What Joywave does well is resist the gravity of self-seriousness. Rock and synth-pop carry plenty of it, and the band sidesteps it at every turn without sacrificing an ounce of musical integrity. The jokes land because the songs already do. Friday night at the Newport was proof that the two aren't in competition — in the right hands, they make each other better.